Labyrinth Fish World

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图书标签:
  • 迷宫鱼
  • 观赏鱼
  • 水族箱
  • 鱼类饲养
  • 热带鱼
  • 鱼病防治
  • 水族造景
  • 鱼缸
  • 宠物鱼
  • 鱼文化
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  ◎ 超过1700张精美迷鳃鱼品种、产地及繁殖图片
好的,这是一份名为《迷宫深海:失落文明的回响》的图书简介,内容不涉及《Labyrinth Fish World》: 迷宫深海:失落文明的回响 作者: 伊莱亚斯·凡斯(Elias Vance) 内容简介: 在人类文明的记忆之外,海洋深处沉睡着一个被遗忘的国度——阿卡迪亚。这个曾经辉煌的深海文明,以其对声波、光影和高压环境的精妙掌控而闻名于世。然而,一个突如其来的地质灾难,将整个文明连同其知识和历史,一同封印在了地球最幽暗、最险峻的马里亚纳海沟深渊之中。 《迷宫深海:失落文明的回响》是一部融合了硬核科幻、深海探险与古老哲学的史诗级作品。故事围绕着一支由海洋生物学家、声纳工程师和语言学家组成的精英探险队展开。他们并非为了寻宝,而是为了追寻一个近乎神话的信号——一段持续了数千年,跨越深海静默的复杂声波序列。 第一部:深渊的召唤 故事始于一个看似普通的海洋观测站。海洋学家艾拉·雷诺兹博士,一位对深海声学有着偏执热情的学者,无意中截获了这段非自然的、具有高度结构性的声波。她坚信这不是自然现象,而是智慧生命的遗迹。她的理论最初被主流科学界视为疯狂,直到一支由亿万富翁探险家马克·卡西迪资助的私人深潜任务团队,决定投入资源进行验证。 探险队的核心成员包括:沉默寡言的声纳专家泽维尔,他精通任何形式的复杂编码;以及古语言学家莉拉·陈,她试图在已知的任何人类或史前语言体系中寻找这段声波的对应物。他们的目标是抵达“阴影之底”——一个位于海沟底部、常年被地热活动和高压所环绕的区域。 深潜过程本身就是一场与物理法则的较量。随着潜水器的深度增加,水压开始扭曲金属结构,温度骤降,周围的环境变得越来越超现实。在穿越一系列天然形成或人工改造的巨大海底峡谷时,他们发现的不仅仅是古老的遗迹,更是一个由生物发光菌群、地热水晶和某种未知的生物材料构筑而成的活体迷宫。 第二部:阿卡迪亚的迷宫 当探险队最终突破深渊的屏障,他们发现了一个令人窒息的景象:一个巨大的、由类似黑曜石的晶体构成的穹顶城市,被一层强大的、看不见的能量场保护着。这个城市并没有死亡,它以一种缓慢、近乎停滞的方式存在着。 在这里,探险队开始接触到阿卡迪亚文明的“回响”。阿卡迪亚人并非传统意义上的生物,他们通过能量和声波来构建他们的世界和知识。他们的城市是一部活着的百科全书,每一块石头、每一条光带都承载着信息。 莉拉·陈发现,声波信号是阿卡迪亚人的“最后遗嘱”。由于无法抵抗灾难,他们选择将自己的意识、历史和关于宇宙的认知,编码成一种只有在特定声学频率和高压环境下才能被解码的“共振语”。 然而,深入探索并非没有代价。深海中存在着自我防御机制。探险队不仅要面对物理上的危险——如突然爆发的深海热液喷口和具有攻击性的极端微生物群落——更要面对心理上的冲击。阿卡迪亚的知识是如此庞大和异质,以至于解读过程开始侵蚀探险队员的理性思维。泽维尔开始听到除了他们解码器之外的“声音”,艾拉则沉迷于一种只有她能看到的深海光谱。 第三部:光影与回声的抉择 随着他们接近阿卡迪亚能量核心——一个被称为“静默之眼”的巨大结构——探险队对信号的解读也达到了关键点。他们意识到,阿卡迪亚文明的终结并非偶然,而是他们主动选择的结果。他们预见到地球表面的文明将走向自我毁灭的循环,因此选择将自己“数字化”并封存,等待一个能够理解并尊重他们遗产的时刻。 静默之眼现在提供了一个选择:它可以将阿卡迪亚的全部知识传输给地球。但这知识的重量和性质,足以彻底颠覆人类现有的物理学、哲学和伦理观。 马克·卡西迪,这位曾经的梦想家,开始被权力和控制欲所驱使。他渴望将这些深海技术掌握在自己手中,用于地表世界的权力博弈。而艾拉、泽维尔和莉拉则必须做出艰难的抉择:是让这份古老的智慧重见天日,冒着可能引发新一轮混乱的风险,还是尊重阿卡迪亚人的最后意愿,将这个失落的国度,永远留在那深不可测的黑暗之中。 《迷宫深海:失落文明的回响》不仅仅是一次潜水,它是一次对人类知识边界的终极拷问:我们是否有能力承担宇宙级的智慧?在绝对的黑暗和绝对的压力下,文明的真正形态究竟是什么?这部作品邀请读者潜入地球上最神秘的角落,去倾听那些被遗忘的,但仍在大洋深处回响的古老智慧之声。

著者信息

作者简介

Horst Linke


  Horst Linke has been involved in the aquarium hobby since early childhood. His first study animals included fightingfishes and other labyrinthfishes, and these remain the focus of his interest to the present day.  Hence during a trip across the “Dark Continent” in 1963 he took the opportunity to study the natural habitats of the African labyrinthfishes. And this was simultaneously the beginning of a second field of interest: the maintenance and breeding of West African cichlids, as well as the study of their biotopes. Since 1973 he has made numerous research trips to the Ivory Coast, Cameroon, Nigeria, Togo, Ghana, Sierra Leone, Kenya, and Tanzania, as well as to Bangladesh, Borneo, Laos, Malaysia, Myanmar, Hongkong, Sumatra, Java, Singapore, Sri Lanka, Thailand, Vietnam, and China. His interest in South American dwarf cichlids, freshwater angelfishes, and discus has taken him several times to the South American countries of Brazil, Colombia, Peru, and Venezuela. During his travels he has studied natural habitats and collected information that has led to interesting new knowledge regarding maintenance and breeding in the aquarium, and he has also had the opportunity to bring back rare, in most cases previously un- or little-studied  fishes for his aquaria back home. Numerous published works have reported his experiences, always very informatively illustrated with his own photos of fishes and biotopes. Because of his good working relationships with scientists at various museums and universities, it has been possible successfully to evaluate the results of his researches.

  Horst Linke has for many years been actively involved in the aquarium hobby. To the present day the labyrinthfishes, together with West African cichlids, angelfishes, and discus, remain at the forefront of his interest. Numerous lectures at a wide variety of events have demonstrated the quality of his knowledge and experience. Throughout his fishkeeping career the exchange of information with other aquarists has always been paramount.

图书目录

Labyrinthfishes
Labyrinthfishes from Asia
The genus Anabas
The genus Belontia
The genus Betta
The genus Colisa
The genus Ctenops
The genus Helostoma
The genus Luciocephalus
The genus Macropodus
The genus Malpulutta
The genus Osphronemus
The genus Parasphaerichthys
The genus Parosphromenus
The genus Pseudosphromenus
The genus Sphaerichthys
The genus Trichogaster
The genus Trichopsis
Labyrinthfishes from Africa
The genus Ctenopoma 
The genus Microctenopoma
Afterword

图书序言

作者序

  I have been an aquarist ever since my early youth, and my first fishes were Siamese Fighters, Betta splendens. That was many decades ago but these fishes have never lost their fascination for me – labyrinthfishes in general, that is, and many of them in particular. Their bright colours and interesting behaviour mean they are always special, and so do their requirements as regards optimal maintenance.

  In the interim I have also embraced other groups of fishes, for example the small, colourful West Africans, and Discus with their very interesting brood care, and have been very successful with one of the Kings of the Aquarium, the Altum Angelfish. But I have always continued to keep labyrinthfishes as well. In addition to the numerous different Betta species I never cease to be fascinated by the little liquorice gouramis, and that is one reason why in recent years I have visited and studied a multitude of the natural habitats of these small, brightly-coloured Parosphromenus species. Unfortunately, in so doing I have established that these habitats – and with them the animal and fish species to which they are home – are increasingly falling victim to the need of humans for living space plus industrial and agricultural usage. Natural disasters such as major flooding and exceptional spates have destroyed or altered some natural habitats, often those limited to a small area. Here too many species have been lost as a result, and sometimes biotopes I had explored in the past were completely changed or no longer existed at all. As a result there are increasing numbers of cases where species that formerly lived at a site can no longer be found, leaving us aquarists with the task of at least keeping these fishes in existence in the aquarium. A good example of this is the worldwide conservation program for Parosphromenus-species at www.parosphromenus-project.de as well as efforts to distribute rare but still surviving labyrinthfishes as part of the work of the European Anabantoid Club mit Arbeitskreis Labyrinthfische im VDA (EAC/AKL) at www.aklabyrinthfische-eac.eu under the heading “Have and Search”.

  During my travels I have discovered numerous new species and often been able to bring them back for the aquarium for the first time. This would often not have been possible without qualified support in the field, so I would like to thank all those who accompanied me during my trips, above all Atison Pumchoosri, Hendra Tommy, Katsuma Kubota, Nathan Chiang, Patrick Yap, and Thomas Sim, without whose help I would not have been able to observe many species in their natural habitats and subsequently in my aquaria back home. I would also like to thank Dr. Jürgen Schmidt for reviewing the manuscript and Mary Bailey for the English translation.

  In this book I have tried to present all the species known to and described by science up to 2012, not least because the number has increased enormously over the past decade. Most of the fish names are based on the original descriptions, even though the spelling isn’t always correct in the view of various current scientists.

  I hope that this book, containing my biotope studies, numerous illustrations, and my suggestions for optimal maintenance, will contribute to the conservation of the host of colourful and extremely interesting labyrinthfishes.

Horst Linke
Schwarzenbach am Wald, Germany, Oktober 2013

图书试读

用户评价

评分

《Labyrinth Fish World》!这个书名光是念出来,就有一种沉浸式的体验感。我脑海里立刻浮现出一个巨大的、可能隐藏着无数秘密的水底迷宫,里面住着各式各样、我们可能从未见过的鱼类。这个“Labyrinth”给我一种错综复杂、充满挑战的感觉,仿佛要在这个鱼的世界里找到一条出路,或者解开某个古老的谜题。而“Fish World”则提醒我,这是一个关于生命的、关于生态的,也可能是关于情感和互动的世界。我很好奇,这本书会以什么样的角度来展现这个“鱼的世界”?是侧重于科学的描绘,还是会融入更多奇幻的元素?也许是一群鱼为了躲避某种危机,不得不穿越这个危险的迷宫,沿途遇到了各种形形色色的居民,它们的故事交织在一起,构成了一幅壮丽的水下画卷。光是这个名字,就充满了无限的想象空间,让我对这本书的内容充满了期待,迫不及待想知道里面会展开怎样的精彩故事。

评分

哇,看到《Labyrinth Fish World》这个书名,我脑海里立刻浮现出好多画面!光是“Labyrinth”(迷宫)这个词,就让人觉得里面充满了神秘和探险,好像一个巨大的、盘根错节的水族馆,里面藏着不为人知的秘密。而“Fish World”(鱼的世界),又把我们带到那个既熟悉又陌生的水下王国,那里有千奇百怪的鱼类,它们的色彩、形态、生活习性,都充满了吸引力。这本书的名字就像一个邀请函,邀请我们潜入一个未知的水域,去探索那些可能只存在于想象中的生物,去解开它们生活的谜团。我很好奇,这个“迷宫”究竟是物理上的,还是象征性的?是不是意味着我们要跟随一条鱼的视角,在错综复杂的珊瑚礁中穿梭,躲避捕食者,寻找食物和庇护所?又或者,它象征着鱼类复杂的社会结构和情感世界?这本书的名字真的太有画面感了,让人迫不及待想知道里面到底藏着怎样的故事和惊喜。

评分

“Labyrinth Fish World”,这名字一听就让人充满好奇!“Labyrinth”这个词,总会让人联想到迷宫、谜题、以及需要耐心和智慧才能解开的复杂结构,感觉就像进入了一个需要层层剥开才能发现真相的世界。而“Fish World”呢,则直接点明了主题,是关于鱼类的故事,但结合了“Labyrinth”,就不再是简单的海洋生物图鉴,而是可能充满了曲折、挑战,甚至隐藏着某种奥秘的鱼类生态系统。我猜这本书可能不会是以人类的视角去观察,而是让我们设身处地,以鱼的视角去体验这个“鱼的世界”。想象一下,在幽暗的海底,或者珊瑚礁的错综复杂之间,鱼类如何 navigating(导航),如何躲避捕食者,如何寻找伴侣,如何建立自己的领地?每一个转弯都可能遇到惊喜,也可能隐藏危险。这个书名本身就充满了一种探索感和神秘感,让人跃跃欲试,想一探究竟。

评分

天啊,《Labyrinth Fish World》这个书名,简直是把我的好奇心吊到了最高点!“Labyrinth”这部分,瞬间就联想到一些烧脑的解谜游戏,或者古老的传说里那些错综复杂的地下通道,让人既兴奋又有点紧张。而“Fish World”呢,又立刻想到各种海洋纪录片里那些五彩斑斓、形态各异的鱼类,有凶猛的鲨鱼,也有小巧玲珑的灯鱼,还有那些会发光的深海鱼,每一只都像是来自另一个星球。把这两个词放在一起,《Labyrinth Fish World》给人的感觉就像是一本带领我们进入一个超现实水下奇境的书。我猜想,这本书可能不是那种传统的科普读物,而是会用一种非常生动、甚至有点奇幻的方式,来描绘鱼类世界的生存状态。也许是某种鱼类在自己的王国里经历了一场惊心动魄的冒险,也许是它们如何在一个复杂的水域环境中找到自己的生存之道。光是想到这个名字,我就已经在脑海里构建了一个关于鱼类、关于水下世界的宏大叙事,充满了未知与可能,真的太吸引人了!

评分

《Labyrinth Fish World》这个书名,简直就像是为我量身定做的!“Labyrinth”听起来就好有深度,好有探索的意味,好像里面藏着很多需要一层层揭开的秘密,一种既神秘又充满挑战的感觉。再搭配上“Fish World”,瞬间就把我带入了一个奇妙的水下世界。我脑海里开始构想,是不是有各种各样、形态各异的鱼,在它们自己构建的“迷宫”里生活、生存、繁衍?这个迷宫可能不是水泥墙,而是像珊瑚礁、海底峡谷那样复杂的地形,或者是它们之间错综复杂的社会关系网。光是这个名字,就让我觉得这本书不仅仅是关于鱼的知识,更可能是在讲述一个关于生存、关于智慧、关于适应的故事。我很好奇,作者会如何描绘这个“迷宫”?是真实存在的地貌,还是鱼类行为学上的某种复杂模式?又或者,这是一种隐喻,象征着它们在残酷的自然环境中,如何寻找出路,如何生存下去?总之,这个名字给我带来的想象空间太大了,真的太想知道它里面到底藏着什么精彩内容了!

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