具体描述
待在绘画创作的世界里，我可以不用去面对那个不擅长表达的自己，在那里很平静、很纯粹，留下的只有永恆的情感和理想，那里是我的小宇宙，装满无限可能的小宇宙。─安哲
Staying in the world of artistic creation allows me to forget about the uncommunicative side of me. I can enjoy the peace and purity, capturing only the enduring emotions and ideals. That is my little universe, where possibilities abound. ─Ahn Zhe
★ 视觉艺术家、知名演员——安哲，2010～2014作品集
★ 首度收录！安哲情境写真手稿集（14 × 14cm／44页）
安哲有双深邃的眼睛，似乎看得透他，但却也不明白那迷雾般的风景是什么。在那茶色瞳孔中，一圈又一圈的螺旋里，彷彿有个无限大的宇宙。有阴郁、有天真、有美丽，那是个细小微量的光芒，透过一瞬之光。
艺术对他而言是小宇宙的描绘，戏剧则是他小宇宙的释放。若想要进入他的世界，他的作品，是最直接暸解他的方法。
安哲说，所谓的宇宙，并非代表一个全部。现代的人都只想活在自己的小宇宙，但小宇宙并不侷限在那边无法往前。小宇宙是无限宽广，有时候只代表我们生活中的一个面向。
本书收录了安哲从2010—2014的作品集，每个作品，都是他在发掘、思索他的人生、未来、感情，不同面向，所建构出属于他，也渴望分享给大家的小宇宙。
「窥看、未完成、自我怀疑、转换、脆弱、共生。」
这是他在寻求创作的梦想跟真实时，所感受的历程。
「悲伤、压力、荒谬、慾望。」
那是他用看似悲观的内心里，对世界最大的热爱，最想传递的讯息。
他的作品充满批判、省思、嘲讽、荒诞，不单是为了画而画，背后都有很多想说的事情。他的作品通常不给答案，因为世界上的答案都太多。但世界没有标准答案，所意在他的作品里，他不讲答案，有者很多留白，让大家自己填满。于是在这本书，他用图像创作描绘了十个故事，十个在他小宇宙里，重要的故事。
安哲的宇宙构成中，有许多看似「负面」的东西，但这其实是对真实生活的警讯。你要看清楚哪些不好，才会记得好。本书除了安哲十样重要的作品集之外，另有别册，让我们从演员与艺术家安哲的日常，窥看不同的他。演员，也是安哲的一个重要身份，表演让他发现，这是个探索，可以找到投射的情感跟抒发，戏剧的确改变了他的小宇宙，是他跟大家分享小宇宙很重要的一道桥。
Where have gone avarice and conscience? The Disappeared No. 226 lost himself to what he wants, sacrificing conscience for the sake of profits. A manipulator inside out. People lose themselves, falling prey to desire.
While it may seem possible to see through the profound eyes of Ahn Zhe, they always leave you wondering what actually lies behind their misty depths. It is as if an infinite universe resides in those dark brown pupils, in spiral after spiral, where traces of melancholy, innocence and beauty are revealed through that subtle, flimsy moment of light.
To him, art is about portraying “the little universe,” and drama about unleashing the universe itself. For anyone who wants to know more about him, his productions offer a close peek into his world.
In his words, the so-called universe does not represent a whole picture. People in the modern age tend to live in their own little universe, which, instead of staying within boundaries, is ever expanding, and sometimes demonstrates only part of our lives.
This is a collection of his works from 2010 to 2014. Every creation of his tries to explore and shed light on his life, future, and relationships. With different angles and perspectives, he hopes to construct a little universe that belongs solely to him and which he desires to share with you.
“Peeping, incompletion, self-doubt, change, vulnerability, and coexistence.”
These sum up how he feels in pursuing his creative dream and the truth behind it.
“Sorrow, stress, absurdity, and desire.”
They are the messages he wishes to deliver to this beloved world from his seemingly pessimistic heart.
His works brim with criticism, introspection, sarcasm, and absurdity. He is not just painting for painting’s sake, but for the sake of conveying his thoughts.
Answers are seldom found in his works since there are too many of them in this world, where there is no such thing as a standard answer. Thus he never provides answers, but leaves blanks and spaces for the viewers to fill in.
In this book, he graphically depicts ten stories, all born out of his little universe and embedded with rich meaning.
The recurring elements appearing to be “negative” in the universe constructed by Ahn Zhe are, as a matter of fact, warnings to the real world.You need to see the bad to appreciate the good. Apart from ten of his finest works, the edition also includes an attached booklet featuring his daily life as an actor and artist. Acting plays a crucial role in Ahn Zhe’s life. By providing him with a way to explore, project, and release emotions, performing in dramas has in fact transformed his little universe. Above all, it allows him to share his little universe with all of you.
Staying in the world of artistic creation allows me to forget about the uncommunicative side of me. I can enjoy the peace and purity, capturing only the enduring emotions and ideals. That is my little universe, where possibilities abound. ─Ahn Zhe
★ 视觉艺术家、知名演员——安哲，2010～2014作品集
★ 首度收录！安哲情境写真手稿集（14 × 14cm／44页）
安哲有双深邃的眼睛，似乎看得透他，但却也不明白那迷雾般的风景是什么。在那茶色瞳孔中，一圈又一圈的螺旋里，彷彿有个无限大的宇宙。有阴郁、有天真、有美丽，那是个细小微量的光芒，透过一瞬之光。
艺术对他而言是小宇宙的描绘，戏剧则是他小宇宙的释放。若想要进入他的世界，他的作品，是最直接暸解他的方法。
安哲说，所谓的宇宙，并非代表一个全部。现代的人都只想活在自己的小宇宙，但小宇宙并不侷限在那边无法往前。小宇宙是无限宽广，有时候只代表我们生活中的一个面向。
本书收录了安哲从2010—2014的作品集，每个作品，都是他在发掘、思索他的人生、未来、感情，不同面向，所建构出属于他，也渴望分享给大家的小宇宙。
「窥看、未完成、自我怀疑、转换、脆弱、共生。」
这是他在寻求创作的梦想跟真实时，所感受的历程。
「悲伤、压力、荒谬、慾望。」
那是他用看似悲观的内心里，对世界最大的热爱，最想传递的讯息。
他的作品充满批判、省思、嘲讽、荒诞，不单是为了画而画，背后都有很多想说的事情。他的作品通常不给答案，因为世界上的答案都太多。但世界没有标准答案，所意在他的作品里，他不讲答案，有者很多留白，让大家自己填满。于是在这本书，他用图像创作描绘了十个故事，十个在他小宇宙里，重要的故事。
安哲的宇宙构成中，有许多看似「负面」的东西，但这其实是对真实生活的警讯。你要看清楚哪些不好，才会记得好。本书除了安哲十样重要的作品集之外，另有别册，让我们从演员与艺术家安哲的日常，窥看不同的他。演员，也是安哲的一个重要身份，表演让他发现，这是个探索，可以找到投射的情感跟抒发，戏剧的确改变了他的小宇宙，是他跟大家分享小宇宙很重要的一道桥。
Where have gone avarice and conscience? The Disappeared No. 226 lost himself to what he wants, sacrificing conscience for the sake of profits. A manipulator inside out. People lose themselves, falling prey to desire.
While it may seem possible to see through the profound eyes of Ahn Zhe, they always leave you wondering what actually lies behind their misty depths. It is as if an infinite universe resides in those dark brown pupils, in spiral after spiral, where traces of melancholy, innocence and beauty are revealed through that subtle, flimsy moment of light.
To him, art is about portraying “the little universe,” and drama about unleashing the universe itself. For anyone who wants to know more about him, his productions offer a close peek into his world.
In his words, the so-called universe does not represent a whole picture. People in the modern age tend to live in their own little universe, which, instead of staying within boundaries, is ever expanding, and sometimes demonstrates only part of our lives.
This is a collection of his works from 2010 to 2014. Every creation of his tries to explore and shed light on his life, future, and relationships. With different angles and perspectives, he hopes to construct a little universe that belongs solely to him and which he desires to share with you.
“Peeping, incompletion, self-doubt, change, vulnerability, and coexistence.”
These sum up how he feels in pursuing his creative dream and the truth behind it.
“Sorrow, stress, absurdity, and desire.”
They are the messages he wishes to deliver to this beloved world from his seemingly pessimistic heart.
His works brim with criticism, introspection, sarcasm, and absurdity. He is not just painting for painting’s sake, but for the sake of conveying his thoughts.
Answers are seldom found in his works since there are too many of them in this world, where there is no such thing as a standard answer. Thus he never provides answers, but leaves blanks and spaces for the viewers to fill in.
In this book, he graphically depicts ten stories, all born out of his little universe and embedded with rich meaning.
The recurring elements appearing to be “negative” in the universe constructed by Ahn Zhe are, as a matter of fact, warnings to the real world.You need to see the bad to appreciate the good. Apart from ten of his finest works, the edition also includes an attached booklet featuring his daily life as an actor and artist. Acting plays a crucial role in Ahn Zhe’s life. By providing him with a way to explore, project, and release emotions, performing in dramas has in fact transformed his little universe. Above all, it allows him to share his little universe with all of you.
著者信息
作者简介
视觉艺术家︱安哲
安哲的创作包含前卫漫画艺术及图像创作，不断在实验新的媒材并打破创作形式，将个人观点投射在作品里，希望能借此传达一些讯息。在风格上总是围绕在荒诞黑色的题材，作品通常充满手感，习惯发掘城市里那些独特的元素和氛围都会是创作的灵感来源。
作品曾多次荣获国际大奖肯定，2014年以〈消失的226号The Disappeared no. 226〉入选美国3×3当代插画展，并收录美国插画年鑑中；2013年以〈清道夫The Dustman〉入围法国安古兰国际漫画节新秀奖，〈礼物The Gift〉则于欧漫前卫漫画节瑞士琉森Fumetto荣获新秀奖首奖；2006年以〈奇异国系列kiwi country〉荣获韩国首尔第十届国际动画竞赛角色故事设计类亚军。安哲的作品屡获国际肯定，并于法国、瑞士、比利时、香港等地展出，着有《不安分的石头》绘本与《床底下的梦想》图文笔记书。
www.ahnzhe.com
Visual Artist︱Ahn Zhe
From avant-garde comic art to graphic creations, Ahn Zhe keeps experimenting on new media and forms, hoping to send out messages by infusing personal views into his oeuvre. Dealing with absurd and black themes, his works mostly share a handmade quality, exploring unique urban elements and ambience as sources of inspiration.
Several of his works have won him international recognition. In 2014, he was presented with the Merit Award at the 3x3 Proshow with The Disappeared No. 226, which was included in the American Illustration. In 2013, The Dustman was nominated for the Prize for Young Talent at the 2013 Angoulême International Comics Festival (France); and The Gift was honored with a young talent award at the Fumetto International Comix Festival in Lucerne, Switzerland, an avant-garde event in the European comic world. In 2006, his kiwi country was the second prize winner at the 10th edition of the Seoul International Cartoon & Animation Festival in the character/story design category. Not only have his works enjoyed international prestige, but they have been put on display in France, Switzerland, Belgium, Hong Kong and other places. He is also author of the illustration book, The Disobedient Stone, and the illustrated notebook The Dream Under the Bed.
www.ahnzhe.com
获奖经历
2016台北国际书展第十二届金蝶奖—台湾出版设计大奖荣誉奖／绘本《不安分的石头》
2014美国3x3当代插画展—优选／作品《消失的226号》
2013欧漫前卫漫画节瑞士琉森Fumetto新秀奖—首奖／作品《礼物》
2013法国安古兰国际漫画节新秀奖—入围／作品《清道夫》
2006韩国首尔第十届国际动画竞赛kiwi country系列获得角色故事设计类—第2名
2005台湾设计师协会举办第一届台湾设计师玩具角色设计竞赛—优选
2016 Taipei International Book Exhibition — Golden Butterfly Awards Honor／《The Disobedient Stone》
2014 Merit, 3x3 Proshow
2013 1st Prize Fumetto Com ix Festival Luzern
2013 Nominated, Angouleme International Comics Festival
2006 2nd Prize, Dong-A.LG International Festival of Comics & Animation, Korea
2005 Quality Award,Taipei Toy Festival#1
参展
2014漫漫画双城：台北80×香港90
2013漫漫画双城：台北80×香港90
2013布鲁塞尔漫画节—台湾馆—「台湾在漫画的原乡」
2013香港动漫电玩节—独立艺术家联展—「跟一棵树的对话」
2013瑞士琉森Fumetto漫画节
2013法国安古兰国际漫画节—「快乐的漫画船台湾」
2009村上隆GEISAI TAIWAN#1
2014 A Parallel tale : Taipei in 80s x Hong Kong in 90s／Hong Kong
2013 A Parallel tale : Taipei in 80s x Hong Kong in 90s／Taipei
2013 Brussels Comics Festival「Taiwan Stand」
2013 lndie cartoonist「TalkTo A Tree」joint exhibition／Ani-Com Hong Kong
2013 Fumetto Comix—Festival Luzern
2013 Angouleme Comics Festival Taiwan Pavilion「The Joy Ship of Taiwan Comics」
2009 Dream Space／Geisai Taiwan # 1
出版品
2014《不安分的石头》／大块文化出版
2011《床底下的梦想》／大田出版
2014 Picture Book :《TheDisobedient Stone》／Locus Publishing
2011 Graphic Note book :《The Dream Under The Bed》／Titan Publishing
视觉艺术家︱安哲
安哲的创作包含前卫漫画艺术及图像创作，不断在实验新的媒材并打破创作形式，将个人观点投射在作品里，希望能借此传达一些讯息。在风格上总是围绕在荒诞黑色的题材，作品通常充满手感，习惯发掘城市里那些独特的元素和氛围都会是创作的灵感来源。
作品曾多次荣获国际大奖肯定，2014年以〈消失的226号The Disappeared no. 226〉入选美国3×3当代插画展，并收录美国插画年鑑中；2013年以〈清道夫The Dustman〉入围法国安古兰国际漫画节新秀奖，〈礼物The Gift〉则于欧漫前卫漫画节瑞士琉森Fumetto荣获新秀奖首奖；2006年以〈奇异国系列kiwi country〉荣获韩国首尔第十届国际动画竞赛角色故事设计类亚军。安哲的作品屡获国际肯定，并于法国、瑞士、比利时、香港等地展出，着有《不安分的石头》绘本与《床底下的梦想》图文笔记书。
www.ahnzhe.com
Visual Artist︱Ahn Zhe
From avant-garde comic art to graphic creations, Ahn Zhe keeps experimenting on new media and forms, hoping to send out messages by infusing personal views into his oeuvre. Dealing with absurd and black themes, his works mostly share a handmade quality, exploring unique urban elements and ambience as sources of inspiration.
Several of his works have won him international recognition. In 2014, he was presented with the Merit Award at the 3x3 Proshow with The Disappeared No. 226, which was included in the American Illustration. In 2013, The Dustman was nominated for the Prize for Young Talent at the 2013 Angoulême International Comics Festival (France); and The Gift was honored with a young talent award at the Fumetto International Comix Festival in Lucerne, Switzerland, an avant-garde event in the European comic world. In 2006, his kiwi country was the second prize winner at the 10th edition of the Seoul International Cartoon & Animation Festival in the character/story design category. Not only have his works enjoyed international prestige, but they have been put on display in France, Switzerland, Belgium, Hong Kong and other places. He is also author of the illustration book, The Disobedient Stone, and the illustrated notebook The Dream Under the Bed.
www.ahnzhe.com
获奖经历
2016台北国际书展第十二届金蝶奖—台湾出版设计大奖荣誉奖／绘本《不安分的石头》
2014美国3x3当代插画展—优选／作品《消失的226号》
2013欧漫前卫漫画节瑞士琉森Fumetto新秀奖—首奖／作品《礼物》
2013法国安古兰国际漫画节新秀奖—入围／作品《清道夫》
2006韩国首尔第十届国际动画竞赛kiwi country系列获得角色故事设计类—第2名
2005台湾设计师协会举办第一届台湾设计师玩具角色设计竞赛—优选
2016 Taipei International Book Exhibition — Golden Butterfly Awards Honor／《The Disobedient Stone》
2014 Merit, 3x3 Proshow
2013 1st Prize Fumetto Com ix Festival Luzern
2013 Nominated, Angouleme International Comics Festival
2006 2nd Prize, Dong-A.LG International Festival of Comics & Animation, Korea
2005 Quality Award,Taipei Toy Festival#1
参展
2014漫漫画双城：台北80×香港90
2013漫漫画双城：台北80×香港90
2013布鲁塞尔漫画节—台湾馆—「台湾在漫画的原乡」
2013香港动漫电玩节—独立艺术家联展—「跟一棵树的对话」
2013瑞士琉森Fumetto漫画节
2013法国安古兰国际漫画节—「快乐的漫画船台湾」
2009村上隆GEISAI TAIWAN#1
2014 A Parallel tale : Taipei in 80s x Hong Kong in 90s／Hong Kong
2013 A Parallel tale : Taipei in 80s x Hong Kong in 90s／Taipei
2013 Brussels Comics Festival「Taiwan Stand」
2013 lndie cartoonist「TalkTo A Tree」joint exhibition／Ani-Com Hong Kong
2013 Fumetto Comix—Festival Luzern
2013 Angouleme Comics Festival Taiwan Pavilion「The Joy Ship of Taiwan Comics」
2009 Dream Space／Geisai Taiwan # 1
出版品
2014《不安分的石头》／大块文化出版
2011《床底下的梦想》／大田出版
2014 Picture Book :《TheDisobedient Stone》／Locus Publishing
2011 Graphic Note book :《The Dream Under The Bed》／Titan Publishing
图书目录
清道夫／The Dustman
也许只剩下干净的心 能听到末日前夕的声音
礼物／The Gift
被压迫者内心的吶喊 笼罩在不曾停止转动的工厂里 看着权贵之人 如何再次不平等的满足内心无止尽的欲望
消失的226号／The Disappeared No. 226
所有人挤破头靠拢着权贵 一场华丽盛大的造神仪式 不愿屈服的奴役者 希望是一场革命 而不是下一个恶性循环
无脚鸟／The Bird Without Legs
用王家卫导演电影中曾出现的小故事 —— 无脚鸟 串起一系列电影中的经典旁白 利用平面分格手法 重新向王家卫，独特的美学致敬
雨点／Raindrops
有时候你的烦恼是很微不足道 可人们总习惯放大自己悲伤 雨点，是被宰割的悲伤
小宇宙／The Little Universe
主角在安逸的小宇宙里与孤独共处 因为脆弱不敢往前 因为害怕失去而不敢去爱 一篇以柏拉图式的爱情为延伸的画作
盆栽森林／Potted Forest
城市的哀歌进行曲 即将被砍伐殆尽的土地 一群刚失去家园的精灵 正异想天开的打算重新建造一座森林
需要心理治疗的机器人／A Robot in Need of Psychotherapy
不断故障的机器人 却始终找不到问题 没有零件损坏、没有电线短路 透过1 跟0，一切表示正常 也许，问题是来自精神压力
501号阁楼／The 501 Loft
生命里有很多未完成 很有意义 许多的未完成 其实都是序曲
Dream Space／Dream Space
虚幻的梦想如果有具体的样子 会长什么样？ 在城市中我们不断流浪着 有时，找寻着勇气 有时，找寻着属于自己的舞台
也许只剩下干净的心 能听到末日前夕的声音
礼物／The Gift
被压迫者内心的吶喊 笼罩在不曾停止转动的工厂里 看着权贵之人 如何再次不平等的满足内心无止尽的欲望
消失的226号／The Disappeared No. 226
所有人挤破头靠拢着权贵 一场华丽盛大的造神仪式 不愿屈服的奴役者 希望是一场革命 而不是下一个恶性循环
无脚鸟／The Bird Without Legs
用王家卫导演电影中曾出现的小故事 —— 无脚鸟 串起一系列电影中的经典旁白 利用平面分格手法 重新向王家卫，独特的美学致敬
雨点／Raindrops
有时候你的烦恼是很微不足道 可人们总习惯放大自己悲伤 雨点，是被宰割的悲伤
小宇宙／The Little Universe
主角在安逸的小宇宙里与孤独共处 因为脆弱不敢往前 因为害怕失去而不敢去爱 一篇以柏拉图式的爱情为延伸的画作
盆栽森林／Potted Forest
城市的哀歌进行曲 即将被砍伐殆尽的土地 一群刚失去家园的精灵 正异想天开的打算重新建造一座森林
需要心理治疗的机器人／A Robot in Need of Psychotherapy
不断故障的机器人 却始终找不到问题 没有零件损坏、没有电线短路 透过1 跟0，一切表示正常 也许，问题是来自精神压力
501号阁楼／The 501 Loft
生命里有很多未完成 很有意义 许多的未完成 其实都是序曲
Dream Space／Dream Space
虚幻的梦想如果有具体的样子 会长什么样？ 在城市中我们不断流浪着 有时，找寻着勇气 有时，找寻着属于自己的舞台
图书序言
图书试读
None
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 ttbooks.qciss.net All Rights Reserved. 小特书站 版权所有