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This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.

作者简介

哈里斯‧武拉维亚诺斯Haris Vlavianos

　　诗人、译者、学者，1957年出生于罗马，在布里斯托大学学习经济学和哲学，在牛津大学（三一学院）取得哲学硕士和哲学博士学位。着有十二本诗集，其中Vacation in Reality（2009）获Diavazo诗歌奖并入选希腊国家诗歌奖决选名单，另外Sonnets of Despair（2011）也入选过该奖项决选名单。他曾将但丁的《神曲》译为希腊文出版。2005年2月，意大利总理亲自为他颁发Cavaliere骑士名誉，意大利但丁学会亦颁发但丁奖，表彰他对意大利文化的贡献。

　　(Greece 希腊)

　　Haris Vlavianos , born in Rome in 1957, is a prolific poet, translator and scholar. He studied Economics and Philosophy at the University of Bristol (B.Sc) and Politics, History and International Relations (M.Phil, D.Phil) at the University of Oxford (Trinity College). He has published twelve collections of poetry, including Vacation in Reality (2009), which won the prestigious “Diavazo” Poetry Prize and was short-listed for National Poetry Prize, and Sonnets of Despair (2011) which was also short-listed for the National Poetry Prize. For his contribution in promoting Italian literature and culture in Greece, the President of the Italian Republic bestowed upon him in February 2005 the title of “Cavaliere”, while the Dante Society of Italy awarded him the “Dante Prize” for his publications on the Divine Comedy.
 

另一种诗意风格的诗（变奏）
拟华莱士‧史蒂文斯
 
I
清水在闪闪发光的花瓶裹。
黄玫瑰和红玫瑰。
房中白光如雪。
雪，新鲜的（冬季的尾声）
轻柔坠落在虚构的风景裹。
下午数度归来，悄无声息，
没有秘密，没有焦躁的面孔。
圆形花瓶。
彩绘玫瑰瓷器。
黄与红。
水──沉静的虚空。
 
II
而这水，
雪，
差不多足以构成
一种新的白
──比花的意义更为必要
绽放在冷冽的幸福回忆里。
（你出神的视线
证明，想像可以
一遍又一遍袒露记忆）。
 
III
大脑请求逃离。
思维
（某种转移的可能）
已经力竭。
玫瑰，花瓶，未曾存在，
此时亦不存在。
而这些词
继续坠落──
真实生活的雪花
落在诗的空白处。
 
Poem of Another Poetics [Variation]
Following Wallace Stevens
 
I
Crystal-clear water in a glistening vase.
Yellow and red roses.
White light in the room, like snow.
Fresh snow (it’s the end of winter)
softly falling on the invented place.
The afternoons are returning without sounds,
without secrets, without impatient faces
Round vase.
Porcelain painted with roses.
Yellow and red.
The water—unruffled emptiness.
 
II
And still the water,
the snow,
once were enough to compose
a new whiteness
—more necessary than the meaning of flowers
blooming inside the cool memory of happiness.
(Your ecstatic gaze
confirms that imagination
can lay bare the memory again and again).
 
III
The mind seeks to escape.
This thought
(the possibility of the specific metaphor)
has been exhausted.
The roses, the vase, did not exist.
They do not exist.
The words however
keep fa11ing－
snowflakes of a real life
in the margins of the poem.

None

帕斯卡尔的遗嘱 电子书 下载 mobi epub pdf txt 2024

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