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《庇护所》从美术馆公共空间出发，以开放、可触及的方式延伸美术馆的社会价值与文化思辨。借由户外地景创作，赋予北美馆新姿态，将艺术场域从白盒子游移至广场，延续当代艺术之能量与精神。 王文志长期使用自然有机媒材，其创作养分来自家乡梅山的成长经验，透过集体劳动建构大尺度装置，重现人与自然之间亲密又不失崇敬的关系。作品本身即空间，艺术家借此建立起人们相遇、交流的平台，促使美术馆与市民有更多元的互动契机。参与者穿梭于手工编织之竹材屏障，除了感受自然材质与光线揉合的美感张力，艺术家亦希冀将原始山林的能量、环境的气味、洗涤心灵的静谧感带给观者，在都市中创造一个庇护之所。

　　Sanctuary departs from the art museum public space and employs an open and touchable approach to extend the museum’s social values and cultural speculations. With land art created outdoors, the endeavor gives TFAM a new outlook and moves art from the white box out to the plaza, with the energy and spirit of contemporary art extended. Wang Wen-Chih has been creating natural, organic, large-scale installation art for a long time, and his art brings the audience into his sensory space for physical and psychological meditation. The art he creates also forms a space, where a platform is created by the artist for people to meet and interact and for the museum to engage in more interactions with the public on a wide array of contemporary issues. In addition to feeling physically protected, the experience provided by the artwork also prompts the participants to contemplate on the meaning behind spiritual sanctuary. The objective is for this healing and comforting art space to evoke thoughts on broader social issues.

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庇护所(附USB随身碟) 电子书 下载 mobi epub pdf txt 2024

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