美学逆袭：当代艺术的社会实践 pdf epub mobi txt 电子书 下载 2025

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本书特色

　　华人世界的艺术研究中，首次有系统地谈论艺术社会实践的着作。

学者推荐

　　这是一本兼具理论与实际案例分析的佳作。作者不仅针对当代艺术的社会实践从西方经验到台湾与东亚在地的反思，其中更包含教育及公民行动的视角，对于跨领域艺术实践以及关心艺术连结社群发展的所有研究者而言，极具参考价值！──高雄师范大学跨领域艺术所副教授兼所长、国家文艺奖得主　吴玛俐

　　《美学逆袭──当代艺术的社会实践》一书中的当代艺术，没有奇蹟、没有天才，「只有街坊自救、八方支援的故事」。不论是树梅坑溪、土沟农村、海市蜃楼计画，对作者董维琇而言，都是当代艺术作为社会参与、环境关怀、公民论述、公众教育与抵拒仕绅化发展的具体化现。随着《美学逆袭》的出版，中文世界的读者，除了过去惯于引用的毕夏普、雷西、凯斯特与布西欧之外，终于有了以在地台湾当代艺术实践为基础的世界观点，有了属于自身观看社会参与式艺术的论述依凭。──国立台南艺术大学艺术创作理论研究所副教授　龚卓军

　　本书以各种角度来探讨当代艺术的社会实践：从艺术史以及美学理论基础到案例研究，从西方经验到台湾与东亚区域性的对话，以及如何教育艺术的社会实践；并且揭露出近年来这样的艺术取向，对于自然环境与人文生活的深刻影响，进而带来公民行动的醒觉。当艺术走进社会，要求活在真实里，它所批判与质问属于这个时代的问题，足以唤起社群的自觉，以各种充满创意的方式去自我表达，成为一股改变的力量，这样的艺术不只是侷限在美术馆里的，而是与我们的生活与生命息息相关，也因此更加动人。

　　This is a thought-provoking book that brings both theoretical frameworks and case studies into light. Tung’s book explores the perspectives of social practice in contemporary art from within Western and East Asian contexts. It also adds significant perspectives on education and civil activism. This book is worth reading for practitioners of interdisciplinary art and researchers concerned with the relation of art to the development of communities.

　　Mali Wu / Associate Professor and Director of Graduate School of interdisciplinary Art, National Kaohsiung Normal University  
The Challenge of Aesthetics: Social Practice in Contemporary Art is a book that shows that contemporary art practice is not about creating miracles or works of genius; it is about the stories of “communities self-awakening and being fulfilled, as well as receiving support from the ‘outside’.” For Wei Hsiu Tung, the “Plum Tree Creek,” “Togo Village,” and “Mirage” projects, amongst others, all epitomize contemporary art practice in terms of social engagement, care for the environment, civil discussion or education, and resistance to urban gentrification. Beside the usual references to Bishop, Lacy, Kester and Bourriaud, Tung’s The Challenge of Aesthetics provides Chinese language readers of studies on social practice art with a local perspective as well as worldview from within the self-reflective framework of Taiwan.

　　Jow-Jiun Gong / Ph.D. Associate Professor/ Doctoral Program in Art Creation and Theory, Tainan National University of the Arts
This book offers different perspectives on discussions of social practice in contemporary art, from theories to case studies whether in Western or East Asian and Taiwanese contexts.  The book also reflects on the educational dimension of social practice art and its potential for civil action.  
By confronting society and its reality, and by raising the critical questions of our time, art can prompt different communities to develop self-awareness through creative expression. Such art practice has the power to bring-in change beyond the confines of the museum and within our own lives. This is what makes the social practice of art pivotal in our time.

作者简介

董维琇 Wei Hsiu Tung

　　英国中央英格兰大学伯明翰艺术设计学院（现为伯明翰市立大学）艺术理论博士
　　英国华威大学艺术与设计教育硕士
　　现任国立台南大学视觉艺术与设计学系暨研究所专任副教授

　　曾获国家文化艺术基金会「艺术与社会环境结合」艺术社会学博士论文奖助，2010-2011年担任英国伦敦都会大学（Sir John Cass School of Art, Media and Design, London Metropolitan University）公共艺术访问学者。着有英文专书Art for Social Change and Cultural Awakening: An Anthropology of Residence in Taiwan (Lexington Books, 2013)，获邀2014年台北国际书展美国在台协会（AIT）展出，及Taiwan Review书评专文介绍。目前也担任《艺术研究学报》主编及Journal of Chinese Contemporary Art（Routledge）国际编审委员，并以中、英文出版多篇文章于国内外匿名审查学术期刊及其他重要专论。长期研究关注领域为艺术的社会参与及实践、公共空间艺术、艺术家进驻计画研究等。

　　Wei Hsiu TUNG is Associate Professor of theory of art at National University of Tainan, Taiwan. After obtaining her master’s degree in art education at Warwick University, she was awarded a scholarship from the Taiwan National Culture and Arts Foundation to write a PhD dissertation in anthropology of art with British anthropologist Nick Stanley at Birmingham City University (BIAD, 2003).

　　In 2010-2011 she was Research Fellow of public art at the Sir John Cass School of Art, Media and Design, London Metropolitian University. Her research interests and expertise cover public art, socially engaged art, community-based art practice in East Asia, social anthropology of art East/West, contemporary Chinese and Taiwanese art. She has published her research in both English and Chinese in peer-reviewed journals such as Journal of Visual Art Practice (Taylor & Francis), Art Forum (National Cheng Kung University), or Aesthetics and Art Science (Airiti Press). She has authored two books: Art for Social Change and Cultural Awakening: An Anthropology of Residence in Taiwan (Lexington Books, 2013) and The Social Practice of Contemporary Art: Towards the Reality and Power of Change (Quan Hua, 2017). She also currently serves as Editor in Chief of the peer-reviewed Journal of Performing and Visual Art Studies.

自序
美学的逆袭还是逆袭的美学：为董维琇《美学逆袭─当代艺术的社会实践》作序　☉潘襎
艺术与社区携手改变社会　☉曾旭正

第一章　绪论
一、文以载道：跨世代艺术里的社会实践
二、艺术与社会实践：研究历程反思

第二章　当代艺术的社会实践
一、社会美学与公众空间
二、艺术的社会转向
三、思考＝塑造：从个人到社会与环境的精神启迪
四、艺术的社会介入、参与、合作及对话
五、艺术的社会实践：途径与趋势
六、扩大的艺术实践：从观看到行动参与

第三章　环境美学的自我醒觉
一、环境的失衡与危机
二、新类型地景艺术：树梅坑溪环境艺术行动
三、自然与人文风景的改变力量：土沟农村美术馆
四、艺术的社会实践：集体记忆与反全球化
五、日常生活环境美学的自我醒觉

第四章　从教育观点看艺术的社会实践
一、如何教育「艺术的社会实践」？
二、「非」艺术的艺术家养成之道
三、波伊斯的教育主张
四、艺术家与群众协作的社会实践：教育本质的沟通与影响力
五、当代艺术实践与艺术家新典范

第五章　区域性的发展与对话
一、艺术的社会实践：区域及全球历时与共的情境
二、东亚各国的同质性与差异性
三、谁怕艾未未？谁爱艾未未？中国当代艺术家的社会实践
四、由下而上的公民行动

第六章　结论：迈向公民行动参与的艺术力量
一、艺术的社会实践：从普遍性到特殊性
二、艺术家、公民与知识份子的三位一体
三、迈向公民意识与艺术行动主义结合的新感性

参考书目

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