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This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is “Poetry and Conflict”. 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, “Hong Kong Cantonese Poetry Night” is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.

作者简介

詹玛‧歌尔伽

　　1968年出生于巴塞隆纳，在巴塞隆纳大学取得文献学博士学位，现于该校任教古典文学课程。歌尔伽出版过六本诗集，包括《鸟类学》(1997)、《手的障碍》(2003)、《光学仪器》(2005)、《书页时刻》(2006)、《隔膜》(2013)和《墙》(2015)，另有合着非虚构类书籍《自然厨房里：饭桌上的健康、传统与快乐》(2004)。歌尔伽在印度新德里梵文基金会任驻留诗人三个月后，陆续在翻译印度当代英文诗歌，现已出版狄丽普‧切特热的诗集《迈向死亡的二十次早餐》(2013)。歌尔伽诗作的英译被收录于《加泰隆尼亚诗人六家》(弧形出版社，2013)。

　　Gemma Gorga, has a Ph.D. in Philology from the University of Barcelona, where she teaches Ancient Literature. She has published six collections of poetry including Ocellania (Birdology, 1997), El desordre de les mans (Disorder of the Hands, 2003), Instruments òptics (Optical Instruments, 2005), Llibre dels minuts (Book of Minutes, 2006) and Mur (Wall, 2015). A selection of Gorga’s poems has been included in Pere Ballart’s anthology Six Catalan Poets (Arc Publications, 2013).

小故事
 
蜜蜂飞近我嘴唇，口述
一首诗的第一行
在橙树的甜美音节中被偶然找到。
我好容易闭上了眼睛，同意了
但是没有人教绐我
怎样接受一个奇蹟。我深知
怎样用手接受一个
毒苹果，怎样弯曲脖子
去感觉黑夜慢慢地
深红地咬下去，也知道残忍怎么堆积
在每一块镜子的底面。不过，该用哪一只手
接受祭品？如何打开手
接受意外的礼物？后天
总是太晚：蜜蜂不在，橙树花
不见，音节寻不着
适当的秩序来掲开幸福的结局。
 
（Jesús Sayols译）
 
Little Story
 
The bee came close to my lips to dictate to me
the beginning of a poem found by chance
among the sweet syllables of the orange tree.
It would have been simple to shut my eyes and agree
if it weren’t that nobody ever showed me
how to accept a miracle. I know perfectly well
how to place my hands to receive a poisoned
apple, I know how to bend my neck
to feel the slow crimson bite
night makes, how cruelty accumulates
in the depths of every mirror. With what hands,
however, should a gift be taken? How to open the hands
to accept the unexpected gift? The following day
it is always too late: the bee has vanished, no flowers
remain on any orange tree, and the syllables can’t find
the proper order to show what the happy ending might be.
 
(Translate by anna Crowe)

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