Here is a collection of sixteen critical papers which inquire into literary problems found in works of eight British authors (Milton, Blake, Wordsworth, Coleridge, Shelley, Keats, Arnold, and Graham Greene) as well as four American authors (Emerson, Frost, O’Neill, and Hemingway). Each critical inquiry herein is imagined as a wind made up of the critic’s breath while an author’s work is imagined as an endurable rock on which the wind blows. Readers may get wind of the author or the critic and may know how the wind blows and where it lies, but they are expected not to expect any wind to change the rock noticeably. What we want is merely the readers’ attention and we hope their own winds will duly come to help keep the world in winds.
作者简介
董崇选(Alexander C. H.)
Tung is currently a professor of English at Chung Shan Medical University and National Chung Hsing University in Taichung, Taiwan. He is also the establisher and maintainer of the much-visited DGD English-Learning Website (dgdel.nchu.edu.tw) He has published quite a number of academic and creative works in English or in Chinese.
Preface
“Beauty is Goodness, Goodness Beauty”: Shelley’s “Awful Shadow” and “Ethical Sublime”
The Structural Truth in Coleridge's Conversation Poems
Wordsworth’s Sense of Place
Blake’s Dialectical Vision
The Notion of Two Wordsworths
>From Delight to Wisdom:
Frost’s Poetic Theory or Poetic Structure?
A New Linguistic Analysis of Arnold’s “Dover Beach”
Hemingway’s Existential Ending
Who Transcends What and How?: A Re-reading of Emerson
The Contrarieties of Life in Keats’ “The Eve of St. Agnes”
Coleridge’s Primary and Secondary Imagination
Some More Epic Analogies in Wordsworth’s The Prelude
A Note on the Scansion of Keats’s “La Bella Dame Sans Merci”
The Persistent Superior: Symbolism in Graham Greene’s A Burn-Out Case
>From Ape to Man: An Impressionistic Reading of Eugene O’Neill’s The Hairy Ape
The Psychological Unity in Milton’s “Lycidas”
阅读“Critical Inquiry:Some Winds on Works”的过程,就像是在一场精心布置的艺术展中漫步。每一页的文字都仿佛是一件独特的艺术品,有的以粗犷而直接的笔触,有的则细腻如丝,勾勒出作者内心的波澜。我尤其欣赏作者在叙事上的独具匠心,她(或者他)似乎能够洞察事物的本质,然后用一种令人意想不到的方式呈现出来。有时候,我会因为某个观点而豁然开朗,仿佛一直以来困扰我的迷雾突然消散;有时候,又会被某个意象所触动,在脑海中构建出丰富的画面。这本书并不是那种一口气读完的通俗读物,它更像是需要你放慢脚步,细细品味,反复咀嚼的作品。每一次的阅读,都会有新的发现,新的感悟,仿佛在与作者进行一场跨越时空的对话。
评分这本书更像是一位智者,在耳边低语,娓娓道来。它不像一些学术著作那样高高在上,而是用一种平等、亲切的姿态,与我分享他的思考。我常常在阅读时,感受到一种强烈的共鸣,仿佛作者正是说出了我内心深处一直想表达却又无法清晰言说的想法。书中的每一个“风”都像是一股清流,涤荡着我思维的尘埃,让我能够更清晰地看到事物的本质。这本书带给我的不仅仅是知识的增长,更是一种精神的启迪,让我对批判性思维有了更深的理解和实践。
评分“Critical Inquiry:Some Winds on Works”这本书,给我带来了一种前所未有的阅读体验。它没有华丽的辞藻,也没有刻意煽情的段落,但字里行间却充满了力量,足以撼动我内心深处的思考。我曾何度在深夜里,因为书中某个观点而兴奋地辗转反侧,久久不能入睡。作者的论证逻辑严谨而清晰,即使是在探讨最复杂的概念,也能让人轻易理解。这种化繁为简的能力,着实令人佩服。读完这本书,我感到自己的认知边界被极大地拓展了,对这个世界的理解也更加深刻和多元。
评分“Critical Inquiry:Some Winds on Works”这本书,我是在一个偶然的机会下,在一个古色古香的书店角落里发现的。书的封面设计很简洁,但却透露着一股沉静的力量,仿佛一本历经岁月洗礼的古籍。我当时就被它深深吸引住了,虽然我并不知道它具体讲了什么,但直觉告诉我,这是一本值得深入探究的作品。拿到手里,触感温润,纸张也有一种古朴的质感,让人忍不住想要立刻翻开它。迫不及待地带回家,在温暖的灯光下,我小心翼翼地打开了第一页。书页散发出的淡淡墨香,瞬间将我带入了一个充满智慧的殿堂。我开始沉浸其中,虽然还未深入理解其核心内容,但已经能感受到作者在字里行间流露出的深刻思考和独到见解。
评分这本书给我的感觉,像是一场关于思想的冒险。作者仿佛一位经验丰富的领航员,带领我穿越由各种理论、观点和现象组成的浩瀚海洋。每一次的“风”都代表着一次新的视角,一次对既有认知的挑战。我惊叹于作者的广博学识,能够将看似无关的领域巧妙地联系起来,形成一幅宏大的思想图景。在阅读的过程中,我发现自己的思维模式也在悄然发生着变化,开始学会从不同的角度审视问题,不再满足于表面的答案,而是渴望去探究更深层次的原因。这是一种令人兴奋的体验,就像是在未知的水域中,不断发现新的岛屿和大陆。
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