具体描述
This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.
著者信息
作者简介
查尔斯‧伯恩斯坦Charles Bernstein
查尔斯‧伯恩斯坦，最近出版的诗集有Pitch of Poetry（芝加哥大学出版社，2016）及Recalculating（芝加哥，2013）。2010年Farrar, Straus & Giroux出版社出版了他的诗选集All the Whiskey in Heaven: Selected Poems。诗歌中诗集有《L=A=N=G=U=A=G=E POETICS》（罗良功译，上海外语教育出版社，2013）及《查尔斯•伯恩斯坦诗选》（聂珍钊、 罗良功译，译林出版社，2010；华中师范大学出版社，2011）。2015年获Münster国际诗歌奖和Janus Pannonius诗歌大奖。现于宾夕法尼亚大学任教，为该校Donald T. Tegan英文及比较文学教授。现为中美诗歌与诗学协会副主席、美国文理科学院院士。
(US 美国)
Charles Bernstein is the author of Pitch of Poetry (University of Chicago, 2016) and Recalculating (Chicago, 2013). In 2010, Farrar, Straus & Giroux published All the Whiskey in Heaven: Selected Poems. He is vice-president of the Chinese American Association of Poetry and Poetics (CAAP). He has two books in Chinese translation: L=A=N=G=U=A=G=E POETICS, tr. Luo Lianggong, et al. (Shanghai Foreign Language Education Press, China, 2013) and Selected Poems, tr. Nie Zhenzhao and Luo Lianggong (first edition: Nanjing, China: Yilin Press, 2010; second edition: Wuhan, China: Central China Normal University Press, September 2011). Bernstein is Donald T. Regan Professor of English and Comparative Literature at the University of Pennsylvania, In 2015 Bernstein was awarded both the Münster Prize for International Poetry and Janus Pannonius Grand Prize for Poetry. He is a Fellow of the American Academy of Arts and Sciences.
查尔斯‧伯恩斯坦Charles Bernstein
查尔斯‧伯恩斯坦，最近出版的诗集有Pitch of Poetry（芝加哥大学出版社，2016）及Recalculating（芝加哥，2013）。2010年Farrar, Straus & Giroux出版社出版了他的诗选集All the Whiskey in Heaven: Selected Poems。诗歌中诗集有《L=A=N=G=U=A=G=E POETICS》（罗良功译，上海外语教育出版社，2013）及《查尔斯•伯恩斯坦诗选》（聂珍钊、 罗良功译，译林出版社，2010；华中师范大学出版社，2011）。2015年获Münster国际诗歌奖和Janus Pannonius诗歌大奖。现于宾夕法尼亚大学任教，为该校Donald T. Tegan英文及比较文学教授。现为中美诗歌与诗学协会副主席、美国文理科学院院士。
(US 美国)
Charles Bernstein is the author of Pitch of Poetry (University of Chicago, 2016) and Recalculating (Chicago, 2013). In 2010, Farrar, Straus & Giroux published All the Whiskey in Heaven: Selected Poems. He is vice-president of the Chinese American Association of Poetry and Poetics (CAAP). He has two books in Chinese translation: L=A=N=G=U=A=G=E POETICS, tr. Luo Lianggong, et al. (Shanghai Foreign Language Education Press, China, 2013) and Selected Poems, tr. Nie Zhenzhao and Luo Lianggong (first edition: Nanjing, China: Yilin Press, 2010; second edition: Wuhan, China: Central China Normal University Press, September 2011). Bernstein is Donald T. Regan Professor of English and Comparative Literature at the University of Pennsylvania, In 2015 Bernstein was awarded both the Münster Prize for International Poetry and Janus Pannonius Grand Prize for Poetry. He is a Fellow of the American Academy of Arts and Sciences.
图书目录
图书序言
小指头的统治（节录）
开始时总是
急，然后
松懈。
这一下子
较为直率
直击月亮（在
定格的镜头中）：
似乎你
总是处于
几乎准备好了的状态。
突然转移
就像说
下次我会
抓住你，将你眼神中
朦胧的轻视
擦干净，
给我跳个
祈雨舞，
绕着规划的
停车场
散步，我无可置疑的
烦言碎语，
载冰卡车旁的
造冰机器
星期天早晨的
寒冷。
柠蒙在黑暗中
喊你的名字
那么柔和，
它喊着「爱丽丝」
可你的名字是
「约翰」，然后它说
「鲲鹏」
可是你听成了「空洞」
惊人地发现
只是在我
发现的
名字中，当射击
已经完成时
Pinky’s Rule（excerpt）
It always starts
fast then begins
unwinding.
A relatively
straight shot
right to the
moon (in freeze
frame):
as if you’re
almost at the
point of being
nearly ready.
Abrupt shift
as in I’ll
catch you
next time, wipe
that stare off
your filmy
inconsequence,
give me a
rain dance, a
walk around the
projected parking
structure,
my indubitable
loquacity, the
ice machine next
to the ice
truck, Sunday
morning chill.
Mellow the way a
lemon calls out your
name in the dark,
only it’s saying “Alice”
and your name is
John, or then it’s
saying“Paulo”
but you hear
it as hollow.
Instrumental,
that is, only in
the name I
Find when the
Shooting’s over
开始时总是
急，然后
松懈。
这一下子
较为直率
直击月亮（在
定格的镜头中）：
似乎你
总是处于
几乎准备好了的状态。
突然转移
就像说
下次我会
抓住你，将你眼神中
朦胧的轻视
擦干净，
给我跳个
祈雨舞，
绕着规划的
停车场
散步，我无可置疑的
烦言碎语，
载冰卡车旁的
造冰机器
星期天早晨的
寒冷。
柠蒙在黑暗中
喊你的名字
那么柔和，
它喊着「爱丽丝」
可你的名字是
「约翰」，然后它说
「鲲鹏」
可是你听成了「空洞」
惊人地发现
只是在我
发现的
名字中，当射击
已经完成时
Pinky’s Rule（excerpt）
It always starts
fast then begins
unwinding.
A relatively
straight shot
right to the
moon (in freeze
frame):
as if you’re
almost at the
point of being
nearly ready.
Abrupt shift
as in I’ll
catch you
next time, wipe
that stare off
your filmy
inconsequence,
give me a
rain dance, a
walk around the
projected parking
structure,
my indubitable
loquacity, the
ice machine next
to the ice
truck, Sunday
morning chill.
Mellow the way a
lemon calls out your
name in the dark,
only it’s saying “Alice”
and your name is
John, or then it’s
saying“Paulo”
but you hear
it as hollow.
Instrumental,
that is, only in
the name I
Find when the
Shooting’s over
图书试读
None
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 ttbooks.qciss.net All Rights Reserved. 小特书站 版权所有